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In my vision, the art of ceramics is one of fundamental importance for the research in the sculptural form.
I could distinguish between two major approaches towards sculpture, a first one based on the physical intervention on a natural material (like bone, wood, or stone) and a second one which consists in the moulding through fire of a particular material (like ceramics or metal). Regarding to these two, I consider myself equally faithful.
The geometries I conceive in the technique of ceramics follow this crafts tradition and thus they are personal formal researches who aim to bound tradition and contemporary practices.
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