In my vision, the art of ceramics is one of fundamental importance for the research in the sculptural form. 

I could distinguish between two major approaches towards sculpture, a first one based on the physical intervention on a natural material (like bone, wood, or stone) and a second one which consists in the moulding through fire of a particular material (like ceramics or metal). Regarding to these two, I consider myself equally faithful. 

The geometries I conceive in the technique of ceramics follow this crafts tradition and thus they are personal formal researches who aim to bound tradition and contemporary practices.