Should I synthesise in a few paragraphs my artistic credo, my convictions regarding the artistic act, I believe that this territory surely has no fronteers, not only between the visual art fields, but between the visual arts and all the other artistic types: music, film, animation or the art of words - written or articulated by sounds.
The opinion that a strict specialization guarantees a special and unique performance in a certain area, or that the arts of painting, sculpture or graphics cannot or may not step into each other’s territory or together into the space reserved to the decorative arts - ceramics, glass, metal, textiles or design – that opinion has been classified as a false one, finding arguments in the entire history of all the Arts of the 20th century.
Paraphrasing the dictum "nothing that is human is alien to me" by "nothing that belongs to the arts’ field is not stopped or, in other words, alien for me, but on the contrary, I think I have said almost everything about me and my art conceptualization. Ceramics and glass, as my areas of soul - by graduation, thesis and my ongoing experience- have opened a lot of ways to interfere with all the other possible artistic fields such as painting, sculpture, drawing, graphics or installation and to all their possible and decent combinations.
To me, this is the only way of understanding art in its diversity, by conceptualization and application, as a perpetual and unitary mechanism that generates an esthetic emotion of great refinement – a rare feeling that must be roused more and more frequently to a world that seems to live a constant and unstoppable dissolution.